Creative Team

Rachel Hauck

Scenic Design

Recent NY: Latin History For Morons, Tiny Beautiful Things, Dry Powder (Public); Hadestown (NYTW); Parallelogram (2nd Stage), Fucking A, Night Is a Room, Our Lady of Kibeho (Signature), Animal (Atlantic); What the Constitution Means to Me (Clubbed Thumb); On The Exhale (Roundabout); You’ll Still Call Me By Name (Sonya Tayeh/NYLA); All The Ways To Say… (MCC) Antlia Pneumatica, Grand Concourse (Playwrights Horizons), An Iliad (NYTW, Tour), Recent regional: Shakespeare in Love, Roe (OSF); It Can’t Happen Here (BRT); Poster Boy, And No More Shall We Part (WTF). Princess Grace, Lilly Awards. Drama Desk, Lortel Nominations. Obie Award for Sustained Achievement.


Lighting Design

Broadway: Wishful Drinking (Production Design), Hugh Jackman, Back On Broadway (Video), Nice Work If You Can Get It (Video). Off-Broadway: Ernest Shackleton Loves Me!, In Masks Outrageous and Austere, Los Big Names, Horizon, Bridge and Tunnel, Through the Night, Taking Over, In the Wake. Regional: American Conservatory Theater, Mark Taper Forum, Berkeley Rep, Arena Stage, Oregon Shakespeare Festival, Dance: San Francisco Ballet, Boston Ballet, Joffrey Ballet, Alvin Ailey, Hubbard Street, Hong Kong Ballet, Pennsylvania Ballet, Margaret Jenkins, ODC/SF. Music: SF Opera, Cleveland Symphony, LA Philharmonic, Philip Glass, Kronos Quartet, Opera Philadelphia, Paul Dresher, Bill Frisell, Rinde Eckert.


Original Music & Sound Design

Broadway: The Glass Menagerie, The Real Thing, the vibrator play, American Plan. Recent work includes Office Hour, Hamlet, Julius Caesar and Latin History for Morons all for The Public. Other recent work: original music and sound on For Peter Pan on Her 70th Birthday, The Last Match, The Antipodes, Hurricane Diane, Othello. His design and music have been heard in many Off-Broadway and Regional theaters. Obie Awards for John and Sustained Excellence in Sound Design.